Music in the Middle Ages (450-1450) Every element has a sound, an original sound from the order of God; all those sounds unite like the harmony from harps and zithers. -- Hildegard of Bingen
Call Number: 780.902 L88m (in library as book) LINK IS FOR EBOOK
ISBN: 9780313338847
Publication Date: 2008
Covers music influences during the Middle Ages, the previous Dark Ages, the Crusades, and the feudal system which impacted the types and forms of music.
The following bibliography is intended for the singer who is interested in medieval and Renaissance music, but does not have an extensive background in music history or theory
Nearly 10000 links to biographies, references, images, videos, MP3s, sheet music, CDs & books on more than 1200 early music composers of Baroque, Renaissance & Medieval music
A page from the Internet Medieval Sourcebook. The sourcebook is organized as three main index pages, with a number of supplementary documents. There is an index of selected and excerpted texts for teaching purposes, a help page on use of the Sourcebook for research questions, a section devoted to secondary articles, texts on the history of law, copy-permitted maps and images, a guide to medieval-themed films and music, and more.
LaTrobe University's medieval music database covers the 14th century. Browse by text, composer, liturgical feast, manuscript, and genre. Search by text, melody, and descriptor.
The Clemencic Consort is an early-music ensemble comprised of international artists under the direction of René Clemencic. It devotes particular attention to the production of Baroque operas, in both staged and concert performances.
Unrivaled for its formidable reputation in the fields of both early and new music, The Hilliard Ensemble was one of the world's finest vocal chamber groups.
The Interntational Society of Hldegard von Bingen Studies is comprised of scholars and enthusiasts interested in the promotion of the 12th century magistra. The purpose of the society is to promote study, criticism, research, and exchange of ideas related to all aspects of Hildegard von Bingen’s work.
Maintained by the International Machaut Society, a scholarly organization founded in 1985 and devoted to the study, criticism, performance, research, and exchange of ideas related to all aspects of the works of the poet and composer Guillaume de Machaut (ca. 1300-1377) and their manuscript and performance traditions.